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01. June 2001
Hamburger Staatsoper
Ingo Metzmacher, Jürgen Flimm, Gottfried Helnwein
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2001
Heyne
Dietmar Grieser
Österreicher in aller Welt
..."Kommunikationsforscher Paul Watzlawick, der Maler Gottfried Helnwein, der Regisseur Billy Wilder, die Meisterphotographin Inge Morath, der Vatikanbibliothekar Kardinal Alfons Maria Stickler"
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2001
Montesinos
Alberto Hernando
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2001
Humboldt-Universität zu Berlin
Institut für Slawistik
Mirjam Goller, Georg Witte
Tagungsbeiträge des Internationalen wissenschaftlichen Symposiums am Institut für Slawistik der Humboldt-universität zu Berlin vom 11. Bis 13 November 1999
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2001
Uitgeverij Boom
Dassen
Restricted Page
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... Martin Waiser, Gottfried Helnwein, Hans Peter Duerr, Peter Handke, Wim Wenders,
Peter Hacks, Frank Castori, Einar Schleef-en Peter Sloterdijk dus. ... ...
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2001
La Musardine
Patrice Lamare
La démarche de Gottfried Helnwein est différente. C’est l’enfant victime qui est son sujet. Victime, mais également sauveur, comme dans l’une de ses plus belles œuvres, “Kindskopf”, exposée dans l’eglise médiévale de Krems en Autriche, en 1991.
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15. April 2000
The State Russian Museum St. Petersburg
Evgenija Petrova
Repubblica Di San Marino
( Christ in Russian Art )
catalogue
Antico Monastero di Santa Chiara "E’ sicuramente importante dimostrare, per la prima volta nell’Europa Occidentale, la comune fede in un unico Signore risorto" Mons. Michel Berger ...
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01. April 2000
Siedler Taschenbuch
Goldmann Verlag, Verlagsgruppe Bertelsmann
Herbert Riehl-Heyse
Gemischte Erinnerungen an 50 Jahre Bundesrepublik
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2000
Xlibris Corporation
1 edition
Robert D'Artagnan
The author wishes to express his admiration for the magnificent painting Boulevard of Broken Dreams by Gottfried Helnwein, in turn inspired by Edward Hopper's Nighthawks, and acknowledge its inspiration for this story. Hopefully, the beat goes on.
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2000
CONACULTA
Ariel Guzik
...Gottfried Helnwein. El ser humano se relaciona permanentemente con el medio ambiente y para ello debe establecer mecanismos de defensa y adaptación en diferentes sustratos de mayor o menor cercanía. La familia, por ejemplo,
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2000
Liverpool Photographic Society
Published by H. Greenwood
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2000
Ruhr-Universität Bochum
* Fachbereich: Amerikanistik - Literatur
Frank Brinkmann
in ausgewählten Kurzgeschichten: William Wilson, The Tell-Tale Heart, The Man of the Crowd.
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2000
UNC Press
edited by Townsend Ludington
The modernist movement has shaped our era as has no other. This insightful collection of original essays explores the impact of modernism on American culture and the ways in which modernism remains a key to understanding American art and society.
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2000
Rolling Stone
Publisher: Chronicle Books
Fred Woodward
Editor Hardcover: 252 pages
Philip Burke, Anita Kunz, Bob Dylan, Neil Young, Robert Risko, Robert Grossman, Milton Glaser, Ralph Steadman, Paul Davis, Shirley Manson, David Bowie, Marilyn Manson, Mark Ryden, Austin Powers, Mick Jagger, Keith Richards, Steve Brodner, Julian Allen, Joni Mitchell, Gottfried Helnwein, Christina Ricci, Suzanne Vega, Las Vegas, The Notorious.
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2000
DuMont Buchverlag, Köln
Andreas Mäckler
Herausgeber "Kunst ist die einzige Freiheit, die uns geblieben ist."
Gottfried Helnwein (*1948, österr. Maler/Graphiker) (Seite 135) ...
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01. April 1999
Walter de Gruyter
Paul Pfisterer
In Cooperation With Claire Pfisterer
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1999
Klartext
Jürgen Boebers-Süssmann, Ulli Engelbrecht
Warum er mir auffiel und gefiel, hing zunächst mit diesem Plattencover (eine fotorealistische Zeichnung von Gottfried Helnwein) und dann mit seinen ...
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1999
Verlag Königshausen & Neumann
Manfred Schmeling, Monika Schmitz-Emans, Winfried Eckel
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1999
AB Bookman Publications
...
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1999
University of Michigan Press
Gerd Gemunden
Framed Visions analyzes the pivotal role American mass media and popular culture have played in shaping the political, social, and psychological identity of postwar Germans and Austrians. Through detailed readings of films, novels, plays, and poems of a variety of contemporary artists--including Rainer Werner Fassbinder, Wim Wenders, Elfriede Jelinek, Herbert Achternbusch, Monika Treut, Peter Handke, and Rolf Dieter Brinkmann. Gerd Gemunden reveals the paradoxical stance of this generation toward American politics and Hollywood aesthetics.
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